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Gillian Rodger's Cross Dressing Bibliography

Page history last edited by Kiri Miller 3 years, 6 months ago

Ackroyd, Peter. 1979. Dressing up, transvestism and drag: the history of an obsession. New York: Simon and Schuster.

Anon. 1886a. "Man or woman?" Grand Rapids Evening Leader, June 7, 1886: 4.

Anon. 1886b. "Married her maid: the strange story of Charles and Annie Hindle, a man masquerading as a woman," Grand Rapids Telegram-Herald, June 7, 1886: 4.

Anon. 1886c. "Married as a man," Grand Rapids Daily Democrat, June 8, 1886: 5

Anon. 1911. ""The Fascinating Widow." Musical comedy in three acts. . . ." The Theatre, vol. 14 no. 128 (October): 113-14.

Anon. 1914. ""The Crinoline Girl." Farcical melodramatic comedy, with songs, in three acts by Otto Hauerbach; lyrics by Julian Eltinge; music by Perry Wenrich. . . ." The Theatre, vol. 19 no. 159 (May): 227.

Anon. 1915a. "Maxine Elliott's "The Adventures of Lady Ursula" revival." The Theatre, vol. 21 no. 170 (April): 172.

Anon. 1915b. ""Cousin Lucy." Comedy in three acts by Charles Kein with musical numbers by Jerome Kern. . . ." The Theatre, vol. 22 no. 176 (October): 168.

Baker, Roger. 1994. Drag: a history of female impersonation in the performing arts. New York: New York University Press.

Bell-Metereau, Rebecca. 1985. Hollywood androgyny. New York: Columbia University Press.

Bennett, Betty T. 1991. Mary Diana Dods, a gentleman and a scholar. New York: Morrow & Co.

Bentley, Gladys. 1952. "I'm a woman again," Ebony (August): 92-98

Bruzzi, Stella. 1997. Undressing cinema: clothing and identity in the movies. London: Routledge.

Bullough, Vern and Bonnie Bullough. 1993. Cross dressing, sex and gender. Philadelphia: University of Pennsylvania Press.

Dickens, Homer. 1982. What a drag. London: Angus & Robertson.

Dolan, Jill. 1992. "Gender impersonation onstage: destroying or maintaining the mirror of gender roles?" in Gender in performance: the presentation of difference in the performing arts ed. Laurence Senelick. Hanover, NH: University Press of New England, pp. 3-13.

Drorbaugh, Elizabeth. 1993. "Sliding scales: notes on Stormé DeLarverié and the Jewel Box Revue, the cross-dressed woman on the contemporary stage, and the invert," in Crossing the Stage, ed. Lesley Ferris. New York: Routledge, pp. 120-143.

Ferris, Leslie (ed.). 1993. Crossing the stage: controversies in cross-dressing. New York: Routledge.

Garber, Marjorie. 1992. Vested interests: cross-dressing and cultural anxiety. New York: Basic Books.

Hamilton, Marybeth. 1993. ""I'm the Queen of the Bitches": Female impersonation and Mae West's Pleasure Man," in Crossing the Stage, ed. Lesley Ferris. New York: Routledge, pp. 107-119

Herrmann, Anne. 1991. ""Passing" women, performing men," Michigan Quarterly Review 30/1 (Winter): 60-71.

Hotchkiss, Valerie. 1996. Clothes make the man: female cross dressing in Medieval Europe. New York: Garland Publishing.

Husain, Shahrukh. 1996. Handsome heroines: women as men in folklore. New York: Anchor Books.

Kates, Gary. 1995. Monsieur d’Eon is a woman: a tale of political intrigue and sexual masquerade. New York: Basic Books.

Liechti, Robert. 1968. "Male impersonation on the stage: a brief survey of its past," Call Boy (December): 16-19.

Maitland, Sara. 1986. Vesta Tilley. London: Virago.

Martin, Isabelle. 1914. "Stage clothes," The Theatre, vol. 20 no. 166 (December): 283-84, 296-97.

Maxwell, Periton. 1916. "Stage beauty in breeches," The Theatre, vol. 24 no. 186 (August):73, 75, 96.

Middlebrook, Diane Wood. 1998. Suits me: the double life of Billy Tipton. Boston; New York: Houghton Mifflin.

Moore, F. Michael. 1994. Drag!: male and female impersonators on stage, screen and television. Jefferson, NC: McFarland & Co.

Newton, Esther. 1979. Mother camp: female impersonators in America, with a new preface. Chicago: University of Chicago Press.

Rodger, Gillian. 1998. “Male impersonation on the North American variety and vaudeville stage, 1868-1930.” Ph.D. Dissertation, University of Pittsburgh.

Rodger, Gillian. 2002. ““He isn’t a marrying man”: gender and sexuality in the repertoire of male impersonators, 1870-1920,” in Queer episodes in music and modern identity, ed. Sophie Fuller and Lloyd Whitesell. Urbana and Chicago: University of Illinois Press, pp. 105-133.

Senelick, Laurence. 1983. "The evolution of the male impersonator in the nineteenth century popular stage," Essays in Theatre 1/1 (Nov.): 31-44.

Senelick, Laurence (ed.). 1992. Gender in performance: the presentation of difference in the performing arts. Hanover, NH: University Press of New England.

Senelick, Laurence. 1992. "Lady and the tramp: drag differentials in the progressive era," in Gender in performance: the presentation of difference in the performing arts, ed. Laurence Senelick. Hanover, NH: University Press of New England, pp. 26-45.

Senelick, Laurence. 1993. "Boys and girls together: subcultural origins of glamour drag and male impersonation on the nineteenth century stage," in Crossing the Stage, ed. Lesley Ferris. New York: Routledge, pp. 80-95.

Senelick, Laurence. 1995. "Male impersonation," The Cambridge Guide to Theatre, ed. Martin Banham. Cambridge: Cambridge University Press, 1995, pp. 674-75.

Senelick, Laurence. 2000. The changing room: sex, drag and theatre. London: Routledge.

Slide, Anthony. 1986. Great pretenders: a history of female and male impersonation in the performing arts. Lombard, Ill: Wallace-Homestead.

Suares, J. C. (ed). 1994. Hollywood drag. Charlottesville, VA: Thomasson-Grant.

Tilley, Vesta. 1899. "Concerning Audiences," Era Almanack, 66-67.

Tilley, Vesta. 1904. "The Mannish Woman," Pittsburgh Gazette Home Journal, April 3: 5.

Wheelwright, Julie. 1989. Amazons and military maids: women who dressed as men in the pursuit of life, liberty and happiness. London: Pandora.

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